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	<title>Eyesview Media &#187; Equipment</title>
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		<title>Cameras</title>
		<link>http://www.eyesviewmedia.com/2009/07/camera-equipment/</link>
		<comments>http://www.eyesviewmedia.com/2009/07/camera-equipment/#comments</comments>
		<pubDate>Fri, 10 Jul 2009 00:07:54 +0000</pubDate>
		<dc:creator>Raymond</dc:creator>
				<category><![CDATA[Equipment]]></category>

		<guid isPermaLink="false">http://www.eyesviewproductions.com/blog/?p=1602</guid>
		<description><![CDATA[









Panasonic HVX200



The Panasonic AG-HVX200 answers the demands of the professional HDTV photographer with a compact and feature packed acquisition tool. The camera is compatible with DVCPRO HD, DVCPRO50, DVCPRO25 and consumer DV recording standards. It uses 3 wide aspect CCDs for true 16:9 recordings. It has a wide angle Leica Dicomar 13x Zoom lens with [...]]]></description>
			<content:encoded><![CDATA[<h6><img title="services" src="/wp-content/uploads/2009/03/services.jpg" alt="services" /><img style="border: 0px initial initial;" title="equipment-hvx200" src="http://www.eyesviewproductions.com/wp-content/uploads/2009/07/equipment-hvx200.jpg" alt="equipment-hvx200" /></h6>
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<td width="160" align="top" valign="top"><img class="alignnone size-full wp-image-1618" title="equipment-hvx200" src="http://www.eyesviewproductions.com/wp-content/uploads/2009/07/equipment-hvx200.jpg" alt="equipment-hvx200" /></td>
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<h3>Panasonic HVX200</h3>
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<td align="top" valign="top">The Panasonic AG-HVX200 answers the demands of the professional HDTV photographer with a compact and feature packed acquisition tool. The camera is compatible with DVCPRO HD, DVCPRO50, DVCPRO25 and consumer DV recording standards. It uses 3 wide aspect CCDs for true 16:9 recordings. It has a wide angle Leica Dicomar 13x Zoom lens with advanced glass coatings. The most significant advance is that it uses the P2 memory cards for recording. This disk based recording medium makes the video immediately accessible to non-linear systems leaving behind a digitizing process that tape always required.</td>
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<td width="160" align="center" valign="top"><img class="alignnone size-full wp-image-1638" title="equipment-dvx100b" src="http://www.eyesviewproductions.com/wp-content/uploads/2009/07/equipment-dvx100b.jpg" alt="equipment-dvx100b" width="200" height="131" /></td>
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<h3>Panasonic DVX100B</h3>
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<td align="top" valign="top">Already used for film and TV program production as well as news gathering, Panasonic&#8217;s DVX100 series has now evolved further with the AG-DVX100B. The AG-DVX100B debuts as the industry&#8217;s first DV camera-recorder to allow camera-to-camera time-code synchro and user-settable file transfer.</td>
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<td width="160" align="center" valign="top"><img class="alignnone size-full wp-image-1642" title="equipment-varicam" src="http://www.eyesviewproductions.com/wp-content/uploads/2009/07/equipment-varicam.jpg" alt="equipment-varicam" width="200" height="131" /></td>
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<h3>Panasonic Varicam HD</h3>
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<td align="top" valign="top">With the growing popularity of the variable frame rate VariCam® HD Cinema camera and low-cost 24p editing and finishing on the desktop, HD production is on the verge of a radical workflow transformation &#8211; what we like to call a VariDigm shift and it all starts inside the camera.  Panasonic&#8217;s AJ-HDC27 VariCam replicates many of the key features of film-based image acquisition, including 24-frame progressive scan images, time lapse recording, and a wide range of variable frame rates.</td>
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		<title>Lights</title>
		<link>http://www.eyesviewmedia.com/2009/07/lights/</link>
		<comments>http://www.eyesviewmedia.com/2009/07/lights/#comments</comments>
		<pubDate>Thu, 09 Jul 2009 22:00:49 +0000</pubDate>
		<dc:creator>Raymond</dc:creator>
				<category><![CDATA[Equipment]]></category>

		<guid isPermaLink="false">http://www.eyesviewproductions.com/blog/?p=1650</guid>
		<description><![CDATA[
FEATURED LIGHTING PACKAGE









Arri Softbank IV Tungsten 5 Light Kit



Consists of: 2 Fresnel 150, 1 Fresnel 300, 1 Fresnel 650, 1 Arrilite 1000 Open Face Light, Barndoors, Scrims, Filter Frames, Bulbs, 24&#215;32&#8243; Softbox, Super Clamp, Light Stands,Accessory Pack, Bulbs, Heavy Duty Case &#8211; 2250 Total Watts (120V AC)







OTHER LIGHT PACKAGES









Kino Flo Kit



Consists of: 2 &#8211; 4&#8242; [...]]]></description>
			<content:encoded><![CDATA[<h6><img title="services" src="/wp-content/uploads/2009/03/services.jpg" alt="services" /></h6>
<p><strong>FEATURED LIGHTING PACKAGE</strong></p>
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<td width="160" align="top" valign="top"><img class="alignnone size-full wp-image-1651" title="equipment-arrikit" src="http://www.eyesviewproductions.com/wp-content/uploads/2009/07/equipment-arrikit.jpg" alt="equipment-arrikit" width="200" height="300" /></td>
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<h3>Arri Softbank IV Tungsten 5 Light Kit</h3>
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<td align="top" valign="top">Consists of: 2 Fresnel 150, 1 Fresnel 300, 1 Fresnel 650, 1 Arrilite 1000 Open Face Light, Barndoors, Scrims, Filter Frames, Bulbs, 24&#215;32&#8243; Softbox, Super Clamp, Light Stands,Accessory Pack, Bulbs, Heavy Duty Case &#8211; 2250 Total Watts (120V AC)</td>
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<h4>OTHER LIGHT PACKAGES</h4>
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<td width="160" align="center" valign="top"><img class="alignnone size-full wp-image-1652" title="equipment-kenos" src="http://www.eyesviewproductions.com/wp-content/uploads/2009/07/equipment-kenos.jpg" alt="equipment-kenos" width="200" height="131" /></td>
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<h3>Kino Flo Kit</h3>
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<td align="top" valign="top">Consists of: 2 &#8211; 4&#8242; Select 4Bank Fixtures, Ballasts, Cables, Mounts, Case &#8211; 320 Total Watts (120V AC)</td>
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		<title>Sound</title>
		<link>http://www.eyesviewmedia.com/2009/07/sound/</link>
		<comments>http://www.eyesviewmedia.com/2009/07/sound/#comments</comments>
		<pubDate>Thu, 09 Jul 2009 21:12:54 +0000</pubDate>
		<dc:creator>Raymond</dc:creator>
				<category><![CDATA[Equipment]]></category>

		<guid isPermaLink="false">http://www.eyesviewproductions.com/blog/?p=1659</guid>
		<description><![CDATA[
FEATURED SOUND PACKAGE









Sennheiser Evolution G2



The Sennheiser Evolution G2 wireless microphone Dual Basic kits deliver everything necessary for dual wireless microphone operation on location film shoots, video shoots, Electronic-News-Gathering (ENG) and field production. The system is packaged with (2) Sennheiser G2 series camera mount receivers, (2) Sennheiser G2 series belt-pack transmitters, Sennheiser G2 series plug-in transmitter, [...]]]></description>
			<content:encoded><![CDATA[<h6><img title="services" src="/wp-content/uploads/2009/03/services.jpg" alt="services" /></h6>
<h4>FEATURED SOUND PACKAGE</h4>
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<td width="160" align="top" valign="top"><img class="alignnone size-full wp-image-1660" title="equipment-wirelessmics" src="http://www.eyesviewproductions.com/wp-content/uploads/2009/07/equipment-wirelessmics.jpg" alt="equipment-wirelessmics" width="200" height="214" /></td>
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<h3>Sennheiser Evolution G2</h3>
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<td align="top" valign="top">The Sennheiser Evolution G2 wireless microphone Dual Basic kits deliver everything necessary for dual wireless microphone operation on location film shoots, video shoots, Electronic-News-Gathering (ENG) and field production. The system is packaged with (2) Sennheiser G2 series camera mount receivers, (2) Sennheiser G2 series belt-pack transmitters, Sennheiser G2 series plug-in transmitter, professional ENG handheld microphone, shoe mount extender and rugged storage case.</td>
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<h4>OTHER SOUND PACKAGES</h4>
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<td width="160" align="center" valign="top"><img class="alignnone size-full wp-image-1661" title="equipment-shotgunmic" src="http://www.eyesviewproductions.com/wp-content/uploads/2009/07/equipment-shotgunmic.jpg" alt="equipment-shotgunmic" width="200" height="131" /></td>
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<h3>Ultimate Shotgun Microphone Kit</h3>
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<td align="top" valign="top">Ultimate Shotgun Microphone Kits are designed to deliver the ultimate in professional audio recording for feature film, broadcast and field production. All Ultimate Shotgun kits are configured to satisfy the demands of veteran and professional engineers who require the very best in audio performance, handling and durability.</td>
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		<title>Other Equipment</title>
		<link>http://www.eyesviewmedia.com/2009/07/other-equipment/</link>
		<comments>http://www.eyesviewmedia.com/2009/07/other-equipment/#comments</comments>
		<pubDate>Thu, 09 Jul 2009 19:34:22 +0000</pubDate>
		<dc:creator>Raymond</dc:creator>
				<category><![CDATA[Equipment]]></category>

		<guid isPermaLink="false">http://www.eyesviewproductions.com/blog/?p=1670</guid>
		<description><![CDATA[
FEATURED PACKAGE









Green Screen





Chroma key is a technique for mixing two images or frames together, in which a color (or a small color range) from one image is removed (or made transparent), revealing another image behind it.  A Green Screen is commonly used as a backdrop because it is the opposite color of human skin [...]]]></description>
			<content:encoded><![CDATA[<h6><img title="services" src="/wp-content/uploads/2009/03/services.jpg" alt="services" /></h6>
<h4>FEATURED PACKAGE</h4>
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<td width="160" align="top" valign="top"><img src="http://www.eyesviewproductions.com/wp-content/uploads/2009/07/equipment-greenscreen.jpg" alt="equipment-greenscreen" title="equipment-greenscreen" width="200" height="133" class="alignnone size-full wp-image-1671" /></td>
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<h3>Green Screen</h3>
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<h6></h6>
<p>Chroma key is a technique for mixing two images or frames together, in which a color (or a small color range) from one image is removed (or made transparent), revealing another image behind it.  A Green Screen is commonly used as a backdrop because it is the opposite color of human skin and therefore a little bit easier to key out.</td>
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<h4>OTHER PACKAGES</h4>
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<td width="160" align="center" valign="top"><img src="http://www.eyesviewproductions.com/wp-content/uploads/2009/07/equipment-jib.jpg" alt="equipment-jib" title="equipment-jib" width="200" height="309" class="alignnone size-full wp-image-1672" /></td>
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<h3>Jib</h3>
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<h6></h6>
<p>A jib is useful for getting high shots, or shots which need to move a great distance horizontally or vertically, without the expense and safety issues of putting a camera operator on a crane or laying track for a dolly. A jib can even be mounted on a dolly for shots in which the camera moves over obstacles such as furniture, when a normal dolly shot could not be used.
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<td width="160" align="center" valign="top"><img src="http://www.eyesviewproductions.com/wp-content/uploads/2009/07/equipment-steadycam.jpg" alt="equipment-steadycam" title="equipment-steadycam" width="200" height="150" class="alignnone size-full wp-image-1674" /></td>
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<h3>Steadicam</h3>
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<h6></h6>
<p>A Steadicam is a stabilizing mount for a motion picture camera, which mechanically isolates the operator&#8217;s movement from the camera, allowing a very smooth shot even when the operator is moving quickly over an uneven surface.
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